Right, bitches. I’m back.
I’ve had a month or so off for one reason or another, but I thought it was about time I pulled my finger out and got back into the business of churning out my ill-formed thoughts for you all to digest with incredulity and horror. No need to thank me.
I’ve not been blogging or reading blogs for two reasons. First, I have been busy. Not just “ooh, it’s been a hard day, I can’t be bothered” busy, but “I’ve got thirty minutes to have four hours sleep, how the fuck am I going to fit that in” busy. It’s like all of Sydney suddenly realised that summer was coming to an end and decided to try and fit a summer’s worth of parties in five weeks. It’s not a bad thing, but it does rather get in the way of writing. I’ve got plenty to talk about and now that I’m taking the weekend to write it all down, hopefully over the coming weeks you will be entertained/reviled on a regular basis. Secondly, and perhaps more influentially, I got rather put off writing for a while and questioned whether I was really any good, and if it was just wasting my time trying to do it. The story goes like this:
A couple of months ago I went on a writing course – just a one-day thing where we all take along two pages of our dearest project and pretend to be interested in each other’s work. Really we’re all there to be told how fabulous we are and how it’s a travesty we haven’t been published yet, but no one wants to say that out loud. Sitting in pairs we discuss our partner’s work through gritted teeth and get back to talking about our own as fast as we can. Don’t judge me: every writer does it. We’re a narcissistic bunch.
At lunch I was talking to the tutor about what I wanted from my writing and whether publication was my dream. It is, but I’m realistic about what it will bring. I don’t really want to be famous; I think I would make an awful celebrity. I just want to be able to write and make a living out of it. I told her so, and we agreed it was a healthy way to think. The conversation moved on to what we both did for jobs and when I explained I was a copywriter, she told me not to be too hard on myself: I had already achieved my goal. I know this meant to be a reassuring, confidence-building statement, but right then a little piece of me shrivelled up and died.
Realising your dreams is an aim, and the thought I might be there was crushing: I write for a living, but not for myself. I went back to work and sat in front of my fabulous new iMac in my lovely new office and tried to write about the smoke-free campus policy, or the changed traffic conditions on the main road, or the winter concert series; and I just couldn’t do it. I looked at the pile of novels I had read over the past year and felt as though I would never compete. I will never write an Anna Karenina or an In Cold Blood or a Maurice. I’m a writer like the graphic designer next door is artist, and it depressed me. I began to wonder what I was really doing this for. The money is mediocre, the benefits are lousy and you feel like a fraud every time you say what’s in your heart: “I’m a writer, unknown, unpublished and begging to be taken seriously despite my total lack of a creative career.”
For the past few weeks I have thrown myself at everything that could be used to keep me away from writing. If I’m busy then it’s not like I’m just ‘not writing’, but more like ‘life is just in the way right now’. That’s not to say that I haven’t had a great few weeks – I’ve done some fantastic things with some super people – but I’ve said yes to a few events that I should have turned down so I could do my exercises and stretch my fingers and generally do some fucking work. It’s easier to run away from something than it is to face it, and when you feel defeated it seems like a good idea, too.
All this came to an end last week, when my friend Nick came to stay from Atlanta. Being aircrew he paid a measly $70 to fly all the way to Sydney – a benefit I will never enjoy in my chosen field – and he brought with him a litany of reading material that I would never have picked up in a million years. I had just finished Jasper Fforde’s The Eyre Affair on the day of his arrival and was beginning to realise the error of my ways, when Nick suggested My Horizontal Life, telling me that I would finish it in a matter of hours. It was atrocious literature, but hilarious. It’s a history of one-night stands thrown into a loose narrative about how sleeping around is fun until the novelty wears off. I felt like a prize fool. Here was Chelsea Handler selling her shag tales for $15 a copy, and I was giving mine away online for free! Next up, David Sedaris’s Me Talk Pretty One Day; another collection of memories bolted together in no apparent order solely to entertain and amuse. A national bestseller, no less, with one chapter telling the tale of his finding a turd in the toilet and breaking it up with a plunger. Is there some deep allegorical meaning in there? I hope not. Does it relate to the rest of the book? Not in any sense whatsoever, and yet here it is, on my table, in print.
We can’t all be Tolstoy or Flaubert or Capote, and they weren’t born that way either. Maybe the graphic designer next door will never be Van Gogh, but he probably doesn’t spend all day looking at post-impressionist artworks and then beating himself up for not having cut his ear off in passion. The Ffordes and Handlers and Sedarises of the world aren’t concerned about being judged next to the greats – they’re just getting on with their lives, and I’m at least as good as them.
Time to stop being such a whiney bitch. Daylight’s wasting.










